Hulda Guzmán celebrates the people and luscious nature of the Dominican Republic

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It is unsurprising to study that Samaná-based Hulda Guzmán is most excited by portray tropical landscapes. Born right into a household of Dominican artists, she’s lengthy transferred her environment into juicy depictions of foliage and flora. “I really feel impressed by all the plush and exquisite vegetation of my native island, by the infinite arrays of color, gentle, texture and shapes throughout the pure world,” she explains. “I discover plenty of consolation within the meditative technique of considering nature, and so I’m continuously compelled to color landscapes, timber and animals.”

In her first solo present within the UK at Stephen Friedman Gallery, Hulda’s connection to nature is delivered to the fore in a collection of dreamy works. Casting an array of imaginary creatures, individuals and animals, Hulda sends her viewers on a journey by way of nature – it is a celebration of her familial dwelling. It was additionally the primary time she’d painted in her new studio, a bungalow designed by her architect dad Eddy situated in a secluded space on the northeast facet of the island named Hispaniola. “I had been very anxious to complete its development as a result of I principally like to color by observing actual life as a substitute of utilizing {a photograph} as reference,” she says. It is as a result of it evokes a way of intimacy between the observer and topic, one thing that can not be achieved by way of the 2D realisation.

Verdecito © Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photo by Todd-White Art Photography



Verdecito © Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photograph by Todd-White Artwork Pictures

Up The Spine, 2022 © Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photo by Todd-White Art Photography



Up The Backbone, 2022 © Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photograph by Todd-White Artwork Pictures

Everybody Loves The Sunshine, 2022 © Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photo by Todd-White Art Photography



All people Loves The Sunshine, 2022 © Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photograph by Todd-White Artwork Pictures

“We have all witnessed the wind dancing between the timber, and heard its delicate, surrendered sound, smelled its pure, therapeutic aroma, and felt its energy to anchor us,” she says. “We all know there’s one thing beneath what we understand by way of our sense, an essence that encompasses all residing creatures in a normal symbiosis, which seems very very similar to a dance.”

In Dancing cocks, Hulda needed to seize the panorama because it modified all through the day. Freezing time right into a singular picture isn’t any easy job or one which’s understandable. But Hulda has performed so with ease as she paints the changeable climate, the timber transferring and swaying. “I believe that portray stay movement permits for a extra visceral and related method,” she provides. “I then added the characters to emphasize with a literal translation the dance of nature.”

Heart-stirring © Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photo by Todd-White Art Photography



Coronary heart-stirring © Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photograph by Todd-White Artwork Pictures

Dancing Cocks, 2022 © Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photo by Todd-White Art Photography



Dancing Cocks, 2022 © Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photograph by Todd-White Artwork Pictures

What's My Drag?, 2022 © Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photo by Todd-White Art Photography



What’s My Drag?, 2022 © Hulda Guzmán. Courtesy the artist and Stephen Friedman Gallery, London. Photograph by Todd-White Artwork Pictures

“Then again, I used to be impressed by the roosters who’d go to my bungalow each morning and strut their stuff for the chickens.” Different works, like All people Loves The Sunshine, incorporate comparable methods as she paints the early morning sunshine beaming onto the mountains. “The animals congregate to benefit from the spectacle, their our bodies going through the shadow, however their consideration turned to the spectator or the painter or the observer within the scene, uniting all as one.”

Hulda’s collection – and work in general – proves simply how influential your environment could be when making a chunk of artwork. She’s refined her perspective on nature to be joyful, timeless and vibrant. And there is at present no stopping her in the interim. “I am simply going to maintain on portray and attempt to discover increasingly bliss by way of my work.”





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