‘I only want to make clear visual messages, which may prevent or inform’: Aliona Solomadina on the role of design in wartime

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For the reason that invasion started, Aliona has been utilizing her Instagram account to doc and share what has occurred to the Jap European nation. “My posts will not be like a diary. I do that not fairly often. I put up solely photos or movies that are necessary to me. That is why the reactions on my posts are supportive of me.”

Trying by means of her feed, we see one acquainted image of the crowded railway station in Aliona’s residence metropolis of Kharkiv, the place her 90-year-old grandmother lives. “From the primary days of the Russian invasion, my mom and grandmother had been in actual hazard,” she tells us. “The airstrikes massively attacked their district in Kharkiv metropolis. It was very exhausting for my grandmother to go away the home the place she lived for 50 years. She additionally has issues with blood stress.

“However, the will to dwell and to be secure has received! My kin moved to the bomb shelter, however they needed to wait due to the dearth of a humanitarian hall. It took 4 days. It was very exhausting for my grandmother. The state of affairs was getting worse, and so they needed to change their route and take an evacuation practice to Lviv as a substitute of a bus to Lithuania. On that day, on the railway station in Kharkiv, it was too crowded, and one other problem arose for my granny: to run from platform to platform, and she or he ran as quick as she might to catch the practice. So, after such difficulties, concern, and stress, they acquired on the practice and went to Lviv.”

Znak. Ukrainian Trademarks 1960 — 1980s



Znak. Ukrainian Logos 1960 — Nineteen Eighties

Znak exhibition, Mala Gallery, Mystetskyi Arsenal, Kyiv, 2017



Znak exhibition, Mala Gallery, Mystetskyi Arsenal, Kyiv, 2017

Znak exhibition, Mala Gallery, Mystetskyi Arsenal, Kyiv, 2017



Znak exhibition, Mala Gallery, Mystetskyi Arsenal, Kyiv, 2017

Lviv is the place Aliona is now additionally based mostly after escaping Kyiv, the place she has lived and labored for the final ten years. “When the invasion started, I needed to depart my residence and, along with my buddies, stayed in a bomb shelter on the nearest subway station. I stayed for 12 days in Kyiv beneath shelling and bombing by the Russian Federation. Then I used to be displaced to Lviv by an evacuation bus organised by volunteers. I took solely necessities with me. Now I’m attempting to handle my life on this new metropolis.”

A graduate of Kharkiv State Academy of Design and Arts, Aliona focuses on guide design, visible identities, artwork route and design curation. Trying by means of her portfolio, there is a clear unshakable love of Ukrainian artwork and tradition, a heritage that no bomb might ever search to erase. One such challenge is a guide about native logos from the Nineteen Sixties to the Nineteen Eighties. Titled Znak, the textual content options analysis by Aliona together with Uliana Bychenkova and Nika Kudinova of the UNA Collective on the historical past of Ukrainian graphic design, significantly company id design through the interval of Thaw, Stagnation, and Perestroyka. The guide proved so standard it was an exhibition.

City of Forms. Kyiv. Photos by Yaroslav Solop, Oleksandr Ranchukov



Metropolis of Varieties. Kyiv. Images by Yaroslav Solop, Oleksandr Ranchukov

National Stand at Frankfurt Book Fair 2016 / Visual identity / Ministry of Foreign Affairs of Ukraine



Nationwide Stand at Frankfurt Guide Truthful 2016 / Visible id / Ministry of Overseas Affairs of Ukraine

National Stand at Frankfurt Book Fair 2016 / Visual identity / Ministry of Foreign Affairs of Ukraine



Nationwide Stand at Frankfurt Guide Truthful 2016 / Visible id / Ministry of Overseas Affairs of Ukraine

National Stand at Frankfurt Book Fair 2016 / Visual identity / Ministry of Foreign Affairs of Ukraine



Nationwide Stand at Frankfurt Guide Truthful 2016 / Visible id / Ministry of Overseas Affairs of Ukraine

In earlier works, Aliona celebrates the structure of Kyiv in City of Forms, highlighting the connection between graphic design and the city atmosphere by means of letterforms, introduced collectively in a poster collection. There’s additionally a guide titled Why There Are Great Women Artists in Ukrainian Art for the PinchukArtCentre analysis platform. And there is a proud acknowledgement of Ukraine’s “25 years of independence” in her visible id for the Ministry of Overseas Affairs of Ukraine on the Frankfurt Guide Truthful in 2016.

As we speak, most of her initiatives are on maintain, aside from one guide design she’s been engaged on. “I hope that will probably be doable to complete. However every little thing has modified, and my day by day routine is gone.
Even within the secure area the place we are actually dwelling, most of my day is full of listening to air sirens and studying the information as a result of we’re afraid to overlook one thing necessary. I do not suppose it’s related to make some fancy graphics about this conflict tragedy in Ukraine. I outline just one particular position in design in wartime: to clarify visible messages, which can stop or inform.”

Why There Are Great Women Artists in Ukrainian Art / Book design /  PinchukArtCentre Research Platform



Why There Are Nice Ladies Artists in Ukrainian Artwork / Guide design / PinchukArtCentre Analysis Platform

Aliona Solomadina



Aliona Solomadina





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